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Recent Articles

4
Nov
BrianWilson

A Reason to SMiLE

The greatest rock and roll album never completed was The Beach Boys SMiLE.  Recorded shortly after the groundbreaking Pet Sounds album in 1966, it found lead Beach Boy and legendary composer Brian Wilson (at only 24) at the peak of his creative prowess merging his Southern California branded popular music into new and abstract sonic territories. Read moreRead more

28
Oct
robin

Q&A: Robin Eubanks

Robin Eubanks is one of the preeminent trombone players in jazz. He has recorded and performed with legends Art Blakey, JJ Johnson, Joe Henderson, Dave Holland and many others. Read moreRead more

26
Oct
stanleyhoody

Stanley Jordan Solo

Stanley Jordan is an inventive and emotional musician. Whether performing on guitar or piano or both, he always finds a way to communicate a unique and rich musical narrative to the listener. Read moreRead more

24
Oct
charles_tolliver

The Traneumentary: Charles Tolliver

Multi-talented trumpeter and bandleader Charles Tolliver shares his very personal story about John Coltrane – the man and his music. Read moreRead more

21
Oct
me and diz

A Brush with Dizzy

In 1991, I had the honor of meeting Dizzy Gillespie while covering the Monterey Jazz Festival for the bulletin board version of Jazz Online (pre web) and KJAZ. My press credentials gave me access to the artist lounge which was located directly behind the main stage area. Everyone, who was anyone, hung out there during the festival especially from the late afternoon until the wee hours of the morning. Read moreRead more

20
Oct
rudy

Rudy Van Gelder Reminisces

For anyone who loves and knows recorded jazz the name Rudy Van Gelder is a familiar one. Rudy has produced and recorded some of the greatest jazz albums of all-time and will forever be recognized as a leader in engineering, producing, recording and documenting much of the music’s greatest moments. Read moreRead more

18
Oct
altakefive

Jazz Backstage: Al Jarreau

Al Jarreau won the Grammy® for Best Jazz Vocal Performance in 1977 for the album Look To The Rainbow. The album’s success and award placed Al on the map as the leading and innovative jazz singer of the day. One of the album’s highlights was Al’s brilliant vocal interpretation of the Paul Desmond classic “Take Five.” Read moreRead more

4
Oct
eliotz

Q&A: Eliot Zigmund

I feel fortunate to be old enough to have grown up in a time where listening to the radio and buying albums was one of the activities you looked forward to. Each week my friends and I ventured into San Francisco and hit the Tower Records store on Columbia and Bay Street with hopes of buying a hot new record…or cassette or 8 track…whichever we could afford. Read moreRead more

30
Sep
cmbsting

Swingin’ with Sting

The great jazz bassist Christian McBride has played a supporting role to everyone from Herbie Hancock to Pat Metheny to Diana Krall and many more. Aside from his core work in jazz, he has also performed and recorded with a slew of legendary popular musicians including the late James Brown, The Roots, Queen Latifah, Bruce Hornsby and most notably fellow bassist Sting. Read moreRead more

26
Sep
nick

Sonic Payton

Shooting Nicholas Payton’s Sonic Trance band @ Yoshi’s in Oakland back in the day was truly a blast and a highlight of the many video shoots that we produced from the mid 1990′s into the mid 2000′s. On this evening, we had three cameras and a 32 track audio truck parked right outside to capture Nick and the guys performing. Read moreRead more

23
Sep
myfavthings

The Traneumentary: Dave Liebman (bonus)

Saxophonist Dave Liebman’s enthusiasm for John Coltrane is infectious. You sit with Dave for a minute and bring up Coltrane and boom…his motor starts and you are treated to a wide range of facts, insights and personal reflections that are simply mesmerizing. Read moreRead more

23
Sep
johnduke

The Traneumentary: Dr. Billy Taylor (bonus)

It was a sincere privilege and honor to have Dr. Billy Taylor as the host & voice of the Traneumentary. When I originally contacted him to ask if he would be interested in participating, he had no idea what a podcast was but he was intrigued by the idea that this new broadcast medium could expand the audience of John Coltrane’s music. He generously agreed and provided a wealth of insight as well as encouragement to me and the production. Read moreRead more